I will begin this post with a disclaimer. If you do not use Facebook, then you will not be able to fully appreciate what follows. While that saddens me--truly, I feel your pain--I will continue on with my intended subject matter with no compunction whatsoever.
No intelligent person would deny that Facebook is the rancid breeding ground to some acutely ridiculous user-generated 'groups'. Some are flat-out offensive. I believe that those should be treated as one would treat an objectionable television show: don't look at it. Go look at something else, leaving it available for those who enjoy it. There is, however, one group that I have, for some months now, been steadily falling in love with: the Ronald Colman Appreciation Society.
It is swell, it is swoon-worthy, it is visually stunning: it is every type of superlative wrapped into one potently suave package. Ronald Colman is in the top three of my (imaginary) HOLLYWOOD VOICES CANON (along with Fredric March and Claude Rains, but that is the subject for another piece). The RCAS is home to more than 600 Colman photographs, many of them quite rare. It is run by avid fans and collectors, so the passion and dedication comes from the right place. It is simply a venue that allows one to share thoughts, experiences, opinions and memorabilia with like-minded others. As such, it is a small but fantastic little niche of the Facebook community.
The RCAS has definitely reminded me why, when I was new to old movies, I found Colman so appealing as an actor. I initially discovered hims as the handsome half of the romantic on-screen Colman-Banky team. There was so much to discover from there, as his talent manifested itself in so many directions. I read James Hilton's "Lost Horizon" at around this time. I was soon thrilled to realize that Colman played Robert Conway in the classic 1937 film adaptation.I may be a movie fanatic, but I am definitely a read-first, watch-after type of girl. I prefer to paint my own pictures, using the author's words and my imagination. Once that has been set in place, it is only with great difficulty that a film or an actor can supersede my peculiar inner vision. The very idea of thinking of an actor while reading the book is anathema to me. Yet, Ronald Colman is one of the few actors that I associate with a novel. That novel is not "Lost Horizon".
By the time that I watched "A Tale of Two Cities" (1935), I had already read the Dickens book twice; my current tally stands at 4. Even though I followed my own protocol, Ronald Colman is indelibly fused with Sidney Carton. From the moment that I open the front cover, Colman is in my mind. He leaps into my psyche if I so much as think about the book. His portrayal seems more of an inhabitation than an impersonation: it is one of the most fully realized and deeply ingrained in all of cinema. This single achievement--hitched to those remarkable looks, that voice--is reason enough to have a Facebook page devoted to the man.
If you have access, I highly recommend that you stop by the Ronald Colman Appreciation Society and become a fan. You can connect and share with others or, if you are like me,you can simply flip through the magnificent gallery of photos.
Photo Courtesy of Ronald Colman Appreciation Society (Helen Lallo).
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