Cameron Mitchell (1918-1994) was a fine and enduring triple-medium actor. His stardom never rose to the upper echelons of the Hollywood firmament, thus denying him status as a true legend. His carelessness in accepting too many film role after the breakdown in the Studio System, most of them in mediocre disaster or action flicks, was a further deterrent. The Seventies alone saw him in such painful fare as 'The Swarm' (1978) and 'Flood!' (1976). Although his roles were limited, from middle-age on, to parts in quickly-forgotten films, his talent and charisma remained strong.
From the boards of Broadway, where he originated the part of 'Happy' in Arthur Miller's 'Death of a Salesman', to the siren's call of studio-era Hollywood, he re-emerged in the 1960's on the vastest medium of all, television, to become a bona-fide star on 'The High Chaparral'.
During his Hollywood heyday, he starred opposite such diverse talent as Marlon Brando and Doris Day, Marilyn Monroe and James Cagney. For some 5 decades he brought grit, sincerity, and well-modulated ability to a surprising array of roles. Armed with a particularly agreeable macho charm, he was a natural in Westerns and all manner of outdoorsy adventures. Never a one-note actor, he also shone in flimsy comedies (opposite that trio of gold-digging lovelies Marilyn Monroe, Lauren Bacall, and Betty Grable in 'How to Marry a Millionaire'-1953) and musicals (starring in the classic 'Carousel' opposite Shirley Jones and Gordon MacRae-1956). He was even at home in costume dramas ('Desiree' with Brando and Jean Simmons-1954).
From 1967-1971 he starred with Leif Erickson on the immensely popular television series 'The High Chaparral'. A few years later he was back on TV as a castaway on the short-lived 'Swiss Family Robinson' with Martin Milner and future Oscar-winner Helen Hunt.
Like many character actors, he chiseled out a long career in a wide spectrum of films. In later years, production quality was often an issue, as was distribution. (Who today has heard of, much less seen, 'Slavers' or 'Rage to Kill'). He also managed dozens of guest appearances on TV. His talent and obvious dedication to his chosen craft remained strong as he worked, one way or another, until the end. In a sense, as a true journeyman, he went where the work took him.
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