'Street Core', the album that Joe Strummer was working on at the time of his December 2002 death,will always be imbued with a slight, bittersweet sadness.It is not just a reminder that a man of such unforgettably hopeful,gritty and determined humanity was taken too soon.It is because it is radiant,undeniable proof that his risk-taking, compelling artistry was still in the ascendant.
The Clash was no ordinary punk band.As pioneers of the genre, they helped to define and transcend the movement,experimenting with and solidifying aspects that we take for granted today. They brought politics,activism and equality to their music, something that is still closely associated with contemporary punk.The Clash also incorporated their love and respect for world music--especially Reggae--into their songs.
Even at 50--long past the age when most rock stars have settled comfortably into their niche-sound--Strummer was still experimenting, still forging his way down multiple,unexpected paths. 'Street Core' is the result of his endless, varied and mature curiosity.Put together by his wife and band-mates, and released less than a year after his death,it is brilliantly tight.There is no sentimental or greedy padding out of material,nothing extraneous.
It is made up mostly of Strummer originals, adventurous and unique compositions by an artist sure of his voice and confident in his ability to change direction musically,while remaining faithful to himself.The 2 covers (Redemption Song and Silver and Gold) are restrained and bare. They are evidence of his incredible artistic judgment:he knew exactly how to harness his voice to others' songs,while doing both justice.
While there are myriad reasons to miss Strummer,both the man and the creator, the obvious joy,satisfaction and originality he brought to artistic experimentation has to be toward the top of the list.You never knew what he would do next.There will be no more waiting excitedly for his current project to reach fruition.This makes 'Street Core' even more of a prize. The fact that it is, arguably, the best thing he did after The Clash makes it easier to bear, and even more wonderful to listen to, time and again.
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